My latest essay on RTÉ Arena is about the writer stereotype.  Have a listen here or gander on for the full text…

Making it as a successful writer




I’m going to let you in on a little secret.  Not all writers have a cat. They don’t all drink coffee either. There’s the odd turtleneck but that’s a shame most of us carry at some stage in our life. The domain of the writer can be soupy with stereotype and myth. The classic underdog tale is a popular one, bestselling author initially rejected by umpteen publishers, out of work when the news of publishing finally came, possibly living under a motorway bypass. Often, the stories surrounding the writer can become as fictional as the work they produce.

There is the overnight success article that fails to mention the fruitless years of learning the craft. The author who doesn’t believe in editing.  The tale of the classic novel completed in less than a month minus the boring details of all the failed drafts that went before.

Anybody who has ever signed up for a writing course or workshop will have encountered the famous six word story – For sale: baby shoes, never worn. One of Hemmingway’s finest works we are told. But the truth is Hemmingway never wrote the work at all. It seems to have started out as an advertisement in a Brooklyn newspaper in 1921, ‘Baby carriage for sale, never used’, only to make several appearances in altered states before being attributed to Hemmingway in the 1990s, thirty years after his death. In reality, you could say it took multiple writers a number of decades to write the piece.

I suppose there is romance in the legend of the genius writer. As there is in the idea of the writer as an adventurer. Certainly, a lot of scribes still reel off a list of exotic places they’ve travelled to on their Bio. But there is a financial cost to the act of discovering oneself in Kathmandu or writing poetry naked on an island in the Mediterranean. The image of well educated, comfortable writer has formed a large part of the stereotype.  It’s pretty difficult for most to aspire to a career in writing when the finances are not there to back them up.  Besides, aspirations can be collective and based on experiences or the perceived experiences of those of a similar background.

The online environment can be a more economical tool for writers to reach larger audiences, the likes of blogs and online journals bringing a diverse blend of people into the literary mix. It would be nice to think that this will naturally bring varied writers and stories into the mainstream. Because In arenas where diversity is not contrived or over-emphasised, it doesn’t need to be constantly defended or debated. It works as a challenge to stereotype merely by existing as fact.




Team A

Picture the scene. The sun is beaming. The air tastes of cut grass. Huey Lewis and the News are rolling from a boom box. There’s a bunch of teenagers break-dancing on an old piece of lino. And some skinny kid is standing next to a BMX just off to the side. That kid was me. But don’t think the get-up of ball cap, khaki trousers and black converse runners was casually thrown together. Not at all. It was completely inspired by my hero at the time, Howling Mad Murdock, the unhinged helicopter pilot from action adventure series, The A-Team.

A group of us kids were obsessed with that TV programme. To the point that B.A. Baracus’ words of wisdom infiltrated our daily vernacular. Everything was to be pitied. I pity the fool who’s never seen the Teen Wolf movie. I pity the fool who never tasted no ‘Catch chocolate bar’.

And I aint visiting no Granny’s today, fool.

Of course there were other heroes over the years. Marty Mc Fly inspired me to try to build a flux capacitor out of a remote control car. There was Knight Rider, Luke Skywalker and even the Hobbit guy from the Goonies. But Murdock was my first inspiration.

It’s difficult for my heroes in adulthood to compare. Of course there are other writers and people who I respect and admire. One in particular influenced my writing a great deal and although I’m a massive fan I don’t think she’d be too impressed if I started to imitate or wear the same clothes as her.

I suppose a lot of people can relate to the admiration of a favourite teacher when young and the craving of recognition from them.  This need to impress can even remain when schooldays have long since passed. I’m no different and that’s why I was especially pleased to spot an old maths teacher at a production of one of my plays a few years back. He was a man who inspired me in many ways and I was pretty eager to hear how he rated the play.



‘So, what did you think?’ I caught up with this teacher immediately afterward.

He scratched his head for a bit, raised an eyebrow.

‘Do you know when you were talking about that guard fella,’ he said.

I knew he was referring to a brief scene in the play where one character’s posture is compared to “three sided shapes and tangents or any number of the trigonometric theorems that were drilled into a child’s head in school.”

I nodded in acknowledgement and wrung my hands expectantly. My maths teacher leaned in close. He then steadily tapped me on the shoulder, exactly like he had done when I was in secondary school.

‘I think,’ he grumbled. ‘You might be confusing the tangent line in geometry with the tangent function of trigonometry for that part’.
And without any further hesitation, he rambled off to talk to someone else.
In typical Irish fashion, I was quickly brought back to earth.


The Irish Language

I’ve an essay on RTÉ Arena this week and it’s about the Irish language.
There’s a fantastic poem by Biddy Jenkinson after the essay – Cumann na bPíobairí.
Biddy is a poet, short story writer and dramatist who writes in the Irish language.

The text for the essay is below but if you want to hear the poem too, have an old listen here…





irish language

I haven’t considered reading a poem in a second language since secondary school. But I happened upon an article in the newspaper archives by the late Nuala O’Faolain, written after she attended an Irish language event in Westport. Admitting to a limited grasp of gaeilge, she told how this didn’t detract from her enjoyment of the poetry, paying particular tribute to the poet who writes under the name Biddy Jenkinson.  Curious at how it would read, I found a book of Biddy’s work in the library and despite a meagre understanding of Irish, immediately, I could appreciate the harmony between words, the form of the poem and in my own clumsy way I could get a taste for the rhythm.

Over the years, I’ve heard Irish described as harsh or ugly. It’s been slammed as a dead language. People offer reason upon reason for not learning it, complaints which are anything but new. In 1961, the president of Cumann na Sagart stressed that its revival would be more successful if people stopped shadow boxing around the reasons why it should be revived. He went on to say that the ‘majority’ wished to have Irish as a language spoken with ease and confidence rather than grammatical formulae and specimen essays. This is one point I continually hear these days, some 50 odd years later.

When I remember Irish in school, I think of essays written in the past tense, usually centred around a dog and a bike and always ending with me running ‘ar nós na gaeoithe’.
I see fat books of verbs and an English to Irish dictionary for every word to be translated into a sentence of gibberish. But language doesn’t show itself off textbooks or manuals. It blossoms in poetry and prose. It comes alive when spoken and sang. You don’t memorize a language. You live it.

My daughters attend a local gaelscoil where allowance is made for limitations and mistakes when speaking Irish. It hasn’t taken long for them both to surpass my knowledge.  I see it in the cheeky sideway glances when I try to help with their homework and the correction of mispronounced focals. I might not have succeeded in learning the native tongue just yet. But I’m more aware of it now, more willing to give it a chance.

When I hear statements of how the print book is dead or that radio passed away when the television was born, I think of how Mark Twain quipped that ‘reports’ of his death have been ‘greatly exaggerated’.  If the Irish language had a voice I’m sure it would be uttering the same thing. Or to quote Nuala O Faolain on listening to the words of Biddy Jenkinson,

“In what sense is Irish, as they say- dead, if new life like this poetry can be born of it.”





This latest essay was aired on RTÉ Arena on Christmas eve. The essay  is about 20 minutes in and it’s about the demolition of the last tower in Ballymun. I’m very grateful to Dermot Bolger for letting me quote from his poem ‘Incantation’, a piece which has just been republished in ‘That Which is Suddenly Precious’ with New Island Press, a really brilliant collection of poems.

Check out the essay here:



Or continue on if you’re in a  bit of a reading humour…




It would be easy for some to compare my town to an island, culturally detached from the mainland, diverse in its identity and habits.  For many, the sight of the seven towers piercing the sky would stir up old news stories and hearsay, talk of castaways and savages and native lotos eaters. As kids we were aware of the stigma that came with being from an area like Ballymun. A role was expected and failure to play it out gave rise to the familiar phrase – “You don’t seem like someone who’d come from that place”
I’m not sure which bothered be more, the prevailing stereotype or the perceived notion that I wasn’t Ballymun enough to be from Ballymun.

In 2004, a wake was held on the eve of the demolition of the first of the seven tower blocks. Artists celebrated the life of these structures. Their imminent loss was mourned. More than ten years have passed since that event and finally, in early October, I watched from my window as a mechanical beast chewed into the hide of the last remaining tower.

For some, those buildings represented poverty and depravation.  Others viewed them as symbols of resoluteness and community. For me, those towers and the rows of flats which weaved through the town were the backdrop and stage to so many of my childhood memories. They were football matches against the lads from the four stories with Pelé Mooney slicing through our defence like butter. They were countless hours hanging upside down on windowless frames beneath concrete balconies. Suffocating wind traps. Unyielding shadows. Mountaineering. Spying through a grill and watching an old world in a new way.  They were those long summer evenings on the tenth floor of Eamonn Ceannt Tower with one of my closest friends, off-key wailing, wild guitar strumming and the feeling that we were conquering the world.

I think back to that wake event and to the point in the evening when Dermot Bolger passionately recited his poem ‘Incantation’, a haunting piece which sews together marked moments in the lives of the inhabitants of Ballymun. Looking around I couldn’t help but notice a harmony between the words in the poem and the crowd who watched the event unfold, the differing emotions directed toward this doomed tower and the obvious diversity of people who once called this place home.


Every whiskey, every Valium, every cigarette,
Every couple holding hands in a kitchenette,
Every laughing child being spun in the August sun
Every boy with a piebald horse to gallop on.

Every mother dreaming about some different life,
Every first tooth, first communion, every surgeon’s knife,
Every welder, office cleaner, every unemployed,
Every girl who fought back when her dreams died.

Every life that ended here and every life begun:
The living and the dead of Ballymun.






My latest essay on RTÉ Arena is about ‘Names’.  Have a listen here or gander on for the full text…




Funny things names.  It would be pretty unusual to just invent one from scratch. Instead, they are foraged from surroundings and experiences, stolen from history and nature, inspired by colours and flowers, jewels, even occupations. For a long time in Ireland religion played a major part, from apostles to the pious or the prevailing pontiff of the time. There was certainly no shortage of John Pauls knocking around my housing estate in the 1980s.

Influences come and they go and what may have seemed odd to folk in the last century can become commonplace in the new. In this era of the celebrity obsessed, the famous are often mimicked, kids named after the place they were conceived. Brooklyn, Nevada. Paris, even Ireland.

When it comes to branding a character, there are some authors who will mull over it for weeks. But does it really make any difference? Take my Dad for example, a man known by many titles.  ‘Donal’ to my mother, ‘Granda’ to his grandchildren, ‘Mister’ to the kids on the street. On any number of Christmas cards he is Ronan. And for some strange reason all correspondence with the gas company refers to him as David. Yet, nobody calls him by the name that’s on his birth cert – Daniel. I can’t help but wonder if his life would have turned out differently if he’d stuck with the original title? Would people have treated him differently? Would he have grown that moustache?

Of course some could use Charles Dickens as an argument to support a lengthy naming process, a writer famed for selecting the colourful and unusual, often ones which hint at a character’s personality. Mr Wopsle, Bill Bitherstone. Chester, Chick and Old Martin Chuzzlewit.  Some of his characters, like Scrooge and Pecksniff have even found their way into the everyday vernacular.

I generally go for the common or the understated, normal people in deep crisis or extraordinary situations. The problem with this is that I sometimes forget what I’ve called a character as I move through different sections of the book, similar to that moment at a party where you’ve forgotten the name of the person you’ve only been introduced to three seconds before. But surely your ability to empathise with a character shouldn’t depend on a name.  William Shakespeare wrote –
That which we call a rose, by any other word would smell as sweet.
And it’s easy to see the truth in this. On the other hand, back in the late 16th Century and failing to be of noble family, if he had been christened Mable Shakespeare, we may never have seen this observation in print at all. Or at the very least, we may never have discovered that she wrote it in the first place.


Bucket List

My latest essay on RTÉ Arena is about a bucket list.  Have a listen here or gander on for the full text…


must fix the garden

Bucket List

I frequently have brief, inspired moments where I feel compelled to do more with my life. The remnants of these whims are scattered about my house. There’s the Irish language course book – half read. The easel buried under a mountain of toys. The tin-whistle rusting in the attic. It’s true that other commitments are partially to blame for the abandonment of these projects but I’ve also been of the belief that they can just be revived at a later date.

My daughter turned eight the other week and watching her open presents by patiently tearing off every last piece of tape on the wrapping  I couldn’t help but think how it only seems like yesterday that we would prop her up on a highchair and blow the birthday candles out for her.  You see, age is the craftiest of all feckers. By the time you realise you’re old, it’s too late to do anything about it. So I’ve began to draft up a bucket list. I’ll admit, it’s not the easiest of tasks for me, especially as I’m aware at how quickly it could manifest into one long index of chores, those must-fix-up-the-garden type ambitions or the thrilling fantasy of finally clearing out the attic.

Funny, how I will often contemplate a character’s decisions more than my own, attentively charting their ambitions and motives. Recently, I came across an image of Joseph’s Heller’s map for Catch 22, rows and columns with lists of characters and key events and notes to keep in mind for different stages of the plot. There are similar relics from other writers archived across the world, drafts and scribbled ideas from early on in their careers.

With the constant and rapid change of technologies this kind of material could be lost in the modern environment. Likewise, with so many musicians selling digitally there is the risk of many artists vanishing completely from records. Artistic images, photographs, important speeches and videos, the British Library calls it The Digital Black Hole. In an attempt to counteract the problem it has begun to archive whole websites. While in the US, the research library for congress signed an agreement with Twitter allowing it to archive all public tweets.  In years to come one of your tweets may help to form an anthropological analysis of today’s society.

Check out what I had for dinner. Hash-tag – Greasy potatoes. Hash tag – Vomit.

Perhaps writers and artists should make a concerted effort to hold onto their digital material, those embarrassing early drafts, the stories that failed to make publication, even that email sent to Aunt Greta explaining why there is so much bad language in the novel. And maybe a catalogue of my own writing should be sitting at the top of my bucket list. After that, I’ll be free to concentrate on the more exciting challenges in life, like getting around to tasting a cloud berry or a dragon fruit. Or my greatest of all ambitions, finally learning how to speak French without a Dublin accent…

Ouest le marché de fruits s’il vous plait?


Tom Ennis

My latest Essay on RTÉ Arena is about my great grand uncle Tom Ennis.  Have a listen here or read on for the full text…


Tom EnnisOpenness

A photograph once inhabited a shadowy corner of my gran’s house in Ballybough. Despite the age and encroaching dark border you could still make out a group of eight people. There was a lady reading a newspaper at the forefront. To the very rear stood two men in military uniform. As a child, my cousin would often grill my gran as to the identity of the people in the photo but there was never much information offered beyond the response of ‘family’.

The Irish have a reputation for being a friendly and open people.  Yet for my gran’s generation and many before, intimate, family business was rarely discussed.  This probably goes to explain why small talk has evolved into an art form in this country, the skill of incessantly talking but never really saying anything. Some linguists claim that the Inuit have hundreds of words for snow. The same can probably be said for the Irish when it comes to terms for the rain.

Spitting. Beating. Hammering. Or perhaps it may only have been pouring on the day my cousin got his hands on a manuscript relating to bygone family. But that detail is unimportant. What is significant is how this manuscript revealed the identity of a number of people in the photo, one of which turned out to be our great grand uncle, Tom Ennis.

Tom was a Major general who’d been associated with the Irish volunteers as early as 1913. Heavily involved in the 1916 rising, he also led the attack on the customs house in 1921, where he was seriously wounded resulting in a permanent limp.  A volunteer medical officer saw to him after his escape and told how Tom received a number of visitors as he recuperated in a nursing home on Eccles Street. On one such occasion, Oscar Traynor informed Tom that Lloyd George was to order for barbed wire to be put up all over the country to enforce the suppression of I.R.A. activities. “What the hell does he think we’ll be doing while they’re putting up the barbed wire,” was Tom’s quick response.

Further on, there’s an article which initially seems out of place in a manuscript mostly relating to the Easter rebellion and the war of independence. It refers to a murder in the Phoenix Park, sketching a scene in which a soldier shoots his young love through the heart before turning the gun on himself. The sister of the deceased woman testifies how there was no formal engagement between the couple as her parents disapproved. One of the parents she was referring to was Tom. The murdered girl was his twenty year old daughter, Miss Úna Ennis.

This account followed me around for a time after and I couldn’t help but dwell on how a military man like Tom would have outwardly reacted to a tragedy like this. I wondered if he spoke about his daughter much, if he told those around him how he missed her. Or perhaps he just fixed a photograph to a wall in his house. And if anyone referred to it he would just deflect, distract. And through his silence, allow the truth to merely fade into history.


Creative writing awards 2015

pencil A Creative Gathering

Every year DCU Library runs a Creative Writing Competition for adult literacy groups throughout North Dublin. It aims to reward those who have returned to education to improve their reading and writing skills. Over 100 entries are received each year from more than 10 literacy groups in North Dublin and Library staff volunteer to participate in the judging and organisation of the competition. This years worthy winner was “Growing up in Finglas in the 60s” by Jimmy Conway. It takes a real gift to capture a scene from your past and even more to make it entertaining and funny. And Jimmy did just that. I was delighted to be the guest speaker this year and DCU library have blogged about the evening if you would like to check it out.


Otherwise, here are a few quotes from some of the brilliant guest speakers of past events…

Stories are beautifully unpredictable when done well. Figure out what you love to read and think about, what excites you. Chances are those are also the things that you will love to write about.      
Nuala Ní Chonchúir

“Stop reading like a reader; start reading like a writer”
Christine Dwyer Hickey

“If you’re going to be an artist or a writer you’re in for a long apprentice”
Peter Sheridan

“Everyone’s life is valid and worth writing about”
Dermot Bolger

“Simple. Clear. Devoid of the unnecessary. For me, that’s what makes a good story”
Róisín Ingle

“Anyone who has survived childhood has the capacity to be a writer”
Anthony Glavin

(In stories) “things begin to unravel when we are forced to accept a truth we’ve been avoiding, or our world discovers a truth about us”
Marian O’Neill

“Learn to walk in your character’s shoes”
Patricia O’Scanlan


The Marathon Man

Gary running

My cousin was in a massive fridge the other day.
There’s a photograph up on his Facebook page, weatherproof jacket and thick balaclava, the traumatic effect of the glacial chill still frozen in his eyes.  Behind him sits a treadmill, the main reason why Gary has been visiting the fridge. You see, my cousin is preparing for a 42km marathon at the North Pole, a race of deep snow drifts, temperatures of minus 30 degree Celsius and the company of armed guards to keep polar bears at bay. My bravery at retrieving a frozen chicken fillet from the back of the freezer the other morning somewhat pales in comparison.

Gary has completed a number of marathons over the last few years, including an ultra- marathon in 2011, a 100km event in 2012 as well as five marathons in five consecutive days last year. Think back to the scene in the original Superman movie where Clark Kent sprints across the countryside, races a passenger train and arrives at his home ahead of a carload of friends. Gary is exactly like that, minus the Lego-type hair and the bad special effects.

I read about what this bloke is doing and I say to myself “wow, what that lad is doing is inspiring, unreal, amazing, fairly nuts and that everyone should support the event” then I remember he is my brother and I just think “what a sap” – Anthony Seery

Although the challenge of the North Pole marathon is to raise funds for charity, my cousin had an alternative reason for taking up running. Back in 2008 Gary suffered a serious bout of depression and afterward he was desperate to rebuild his self-confidence. In a recent interview Gary explained how running offered him ‘little rewards’ which grew with each new challenge. ‘It was a way for me to get back on my feet,’ he says.

This arctic expedition is a sign of Gary’s bravery but what is even more courageous is his frankness when discussing his mental health. The matter of depression is often blurred and misrepresented in film or television, trivialised, romanticised even. This can certainly be the case with the writing world.  I remember reading a piece which leaned toward the notion that depression is somehow a beneficial condition to have as a writer. That’s like saying that one of the advantages to getting malaria is that it offers the chance to see the new ward they built in the Mater hospital.

gary habitat

Depression can be tough to talk about. And for those who try, it can be difficult to illustrate. But I think it is someway captured by Kurt Cobain in his lyric from the In Utero album where he sings the line ‘I miss the comfort in being sad’. For some, this seems to refer to a yearning for the melancholy. But this was from Nirvana’s final studio album and came at the height of the singer’s battle with drugs and depression. In this state the sufferer can be so removed that they long for the feeling of sadness. Because sadness is a true emotion and a healthy response to something that might be happening in their lives.

Depression is far worse.

Depression is absence.

There is no sentimentality. There is no self-pity. It is the loss of motivation and inspiration. It is a separation from people, from music, from art and hope. The poetry only comes after each bout, with a need to tell the world that the depression has not won this round. But if ignored, there is always the danger that these wins can become more fleeting and further apart.

it’s not possible to get rid of (depression) overnight, you can’t just make it disappear, it takes time but running helped with that – Gary Seery

For me, Gary is not running to escape the issue of depression.
He is running to catch himself up.  And each time he does I hope he pats himself on the back for his courage and enjoys being himself again for a time. And if the hint of change begins to return I’m sure he will always have his trainers close to hand, ready to run when the time is just right.

gary sea

If you’d like to donate to support Gary reaching his target of €42,000 and to help provide a Dublin family with a decent home click here.


Interview With Two Editors

Writer, Lane Ashfeldt, describes the book Love on the Road 2015 as ‘Vivid tales of life across the globe that lets you travel while standing still.’ And this isn’t surprising when you look at the two editors behind the book. Their travels have taken them from the US to Calcutta and Kyrgyzstan while Sam has served in the Peace Corps in Turkmenistan with Lois working as a defence investigator in the District of Columbia.

Explorers and scribblers, they clearly have a love for the short story and I was more than delighted to get the chance to interview them for my blog ahead of the launch of their excellent collection this month. I just hope they don’t find too many revisions on this piece after I’ve stuck it up on the blog…


even if you feel like you’ve never done much of the nuts-and-bolts of writing or editing, you can learn

How and why did you become an editor?

Sam: I suppose I got into editing after years of being a writer — or, at least, a newspaper reporter, if that counts. It just seemed like a natural progression. I was also tired of being beaten up by editors for years and thought I might like to torture a few writers myself for a while.

Lois: I’m mainly a journalist, but I do bits and pieces of editing work and I like it because you get to read stories or articles or academic papers that you might never pick up otherwise. I find myself going to the same websites, or podcasts, or the same shelves in the library, and no matter how much you try to be random you find yourself in the same place. Editing work helps me to break out of that.

Together with Lois, how did you choose the stories for the book?

Sam: We ran a contest, asking writers all over the world to submit stories about love and travel. Once we had a good-sized pile of submissions, we spent about a month of evenings and weekends reading like mad. It was a lot of fun, really, reading so many good stories.

Lois: Yes, it was a lot of fun and it felt like a real privilege that people would entrust their stories to us to read. It’s such a brave thing for people to put themselves out there. We really had to make sure that we gave ourselves plenty of time to read all the submissions, so that those further down the pile didn’t get short shrift.

Having two editors could lead to some difficulties. Did you decide on a set process for editing the book from the start?

Sam: We each independently made a list of the stories that we really wanted included in the collection and then we compared lists. The stories on both lists automatically got in. After that, it was just a matter of arguing over the remaining spots. It didn’t get too vicious, though. We’re still on speaking terms.

Lois: Yes, I guess the good thing about knowing each other so well is that we’re not afraid to speak up, or offend each other, or make each other angry. He knows I’m not going to punch him.

You’ve worked with many talented writers over the years. Are there any which stand out? 

Sam: Ha! That’s like asking which one of my friends I like best. There’s no way to answer this without pissing the rest of them off. So I’ll politely decline. Or maybe I’ll say you? Is that the right answer?

(Dan: Yes. That is always the right answer.)

What advice do you have for somebody who is thinking of getting into the editing environment?

Sam: I don’t think I have any useful advice here. Read a lot? Write a lot? Find your inner pedant?

Lois: Advice? Crikey bobs, as my mother would say. Maybe: get a copy of Strunk and White’s The Elements of Style and remember that it’s a skill. Perhaps I’ve forgotten, but I never remember learning much grammar or even doing much writing at school. When I tried my first essay at university, my tutor said it read like the blurb on the back of a book. But I think I’m better at it now. So even if you feel like you’ve never done much of the nuts-and-bolts of writing or editing, you can learn.


I was also tired of being beaten up by editors for years and thought I might like to torture a few writers myself for a while

Would you say that being an editor has helped with the approach to your own writing?

Sam: Yes, I think it absolutely has helped my writing. Taking things apart and putting them back together is a great way to learn how to make them. And editing is a lot like taking a piece of writing apart and putting it back together. Not only that, I get to learn from others’ successes and failures, rather than just sitting in my room in front of a screen by myself.

What are your plans for the future? 

Sam: I’ve written a novel and my plan for the immediate future is to try to get it published. I am also standing by to be Lois’s all-purpose volunteer dogsbody in her next venture, launching a weekly newspaper covering the city of Dublin.

Lois: Yes, it’s bold, I know but I’m planning to launch an alternative weekly newspaper covering the city. Not so much breaking news and listicles, but in-depth stories and features. A platform that gives reporters the space and time to get out of the office, and seek out those hidden important stories about how the city ticks. If anybody out there wants to invest, drop me a line!

You obviously love travelling and new experiences. Is there any country or continent that has stayed close to your heart? And why? 

Sam: I don’t know, at different times I miss different places. Lately, I’ve been wanting to go back to Kyrgyzstan, to see the rolling steppe and towering mountains and gorgeous alpine lakes. It’s just such a beautiful place.

Lois: I do miss certain places: our neighborhood dive-bar in summer in Washington DC, or the newspaper offices in Kolkata when there was something big going on, and it just buzzed. But, to be honest, it’s really people that I miss. We’ve made pockets of close friends each place we’ve lived, and sometimes I wish we could gather them all up and plant them in a commune or something. Loads of people move around nowadays for jobs, or school, or what-have-you, so I guess others feel like that too.


Adobe Photoshop PDF

Love on the Road 2015 – Twelve More Tales of Love and Travel, edited by Sam Tranum and Lois Kapila is an anthology of twelve stories of love and travel–some sweet and touching, some bleak and disturbing. They offer the reader a meet-cute on the streets of Zimbabwe, a classic American road trip replayed with an elderly Jewish patient and his black orderly and an encounter between a withdrawn war veteran and his beautiful neighbour in Iran…